Pedro Quental's Carioca Soul in Canada

In our North American musical classification systems, nearly all  types of Brazilian music, it seems to me, are too often considered a part of the World Music genre. Not just Brazilian or "Latin" music styles -- even North American funk and soul often fall under the same over-generalized World or Groove categories.Here in Toronto, with our dozens upon dozens of music scenes for nearly any sub-genre I can name, I find it can be a challenge to introduce less Brazilian or tropical music oriented friends to connect with a particular style. Many of those who do enjoy Brazilian music do so no matter what details I want to tell them about it: the thrilling, booming samba or maracatu drums, the full-on spectacle of samba or capoeira performances, or the open-hearted, at times seductive joy of a good forró dance.Rio de Janeiro, as one might expect, is a completely different story. In Rio's famous Lapa nightlife district, the samba rhythm and manifestation alone takes on various forms: stage bands of various sizes, casual roda de samba format (often around a table) and both street-side and stage-bound samba bateria (drum corps) performances. These are in addition to the other Northeastern and Afro-Brazilian manifestations happening both as venue-based shows and street performance, from forró and maracatu to Jongo da Serra. And all of this bubbling with activity within blocks of one another. (The "powder keg of culture"!)But if one form of samba and MPB can bridge Toronto and Rio, it may just be the sound that Pedro Quental calls "Carioca Soul" -- a mixture of MPB (Musica Popular Brasileira) and soul music that seems like a natural product of the Lapa scene.Quental is one of the vocalists from the Rio samba troupe Monobloco, though he was already an established (albeit often behind-the-scenes) singer, composer and voice-over professional when he joined the popular percussion group in 2008.His stage presence is incredible, regardless of how long he previously spent working with music in an off-stage capacity. And Canadian audiences have had a chance to get to know Quental, through a true Toronto-Rio connection: the singer has performed here for the past few summers, each time brought by Toront0-based samba artist Maninho Costa, who frequently plays with Monobloco when visiting Rio (also Costa's hometown).Starting in 2010, Costa has invited Quental for a run of summer shows in which visiting vocalist Quental is backed by a Toronto-based Brazilian band, with Costa on percussion, as well in a heavier samba bateria format with Costa's Batucada Carioca.Pedro Quental and the band perform at Montreal's summer Carnaval, July 2013 (Photo: Negin Bahrami)In previous years, Quental showed his performance chops on MPB and samba classics, including funk and samba-rock tunes from the greats like Jorge Ben, Chico Buarque and Gonzaguinha. Last year, the band played Harbourfront's Expressions of Brazil and Quental sang with Batucada Carioca at Montreal's summer Carnaval.Now, with his visit following a newly launched Monobloco album, Quental and the Canadian-based Brazilian band switches it up for 2013: the new repertoire includes catchy originals, and (one my favourite twists) a lively Brazilian ska treatment of a famous Buarque tune Quental played as a straight samba in previous Toronto shows.The 2013 tour switched up the lineup to unite local Brazilian players Thiago Souza on keyboards, Wagner Petrilli on guitar, Pedro Joel on bass and Riquinho Fernandes on the batera. The performance count rose to include shows at Montreal's summer Carnaval (this time with Quental at the front of both bands), Toronto's Brazilfest and a headlining slot at Ottawa's Mercury Lounge.Check out this video from the Ottawa concert (via drummer Carlos "Riquinho" Fernandes):The Ottawa events blog Eventful Capital's review confirms that the show Quental and the band delivered there brought the same connection I've seen at the Montreal and Toronto shows:"The crowd ... included local fans of Monobloco ... most of them sang along to the songs in Portuguese and it really felt as though the audience had been transported to a bar in the heart of Rio for the night.Quental only addressed  the crowd in Portuguese, which made the interaction challenging for English-speakers. However, this allowed for an immersive experience in Brazilian music and culture as each musician played their respective instrument with soul and energy."Pedro Quental with Batucada Carioca in Montreal, July 2013 (Photo via Quebec Noticias)There's no better way to close off Pedro Quental's stay in Canada than with a big samba party in Toronto, and that's exactly what he and Maninho Costa have planned for a finale.The Sunday show starts off with Quental at the front of the soulful five-piece band before the Batucada Carioca stage show brings Quental back up to sing a range of Brazilian favourites, samba classics and high-energy party tunes, with Petrilli on guitar and Costa directing the drummers.We can't place our Lula Lounge in the middle of Lapa, but we can bring a touch of that gafieira swagger and samba swing to Dundas West.And the bridge between Rio and Toronto? Hey, it's something!Pedro Quental Band and Batucada Carioca perform at Lula Lounge on Sunday, August 11. Doors 7 p.m., Pedro Quental Band 8 p.m. sharp, Batucada Carioca 9:30 p.m. $15 at the door. More info on the Lula Lounge website and Facebook event pageQuental and Batucada Carioca in Montreal, July 2012 (Photo: Leonardo Tenan *edited image, originally from camera phone) 

Maninho Costa and Batucada Carioca

In Toronto, there are many agitators in the Brazilian music scene. A great figure and a reference in this scene is the leader of Batucada Carioca, Maninho Costa.  It's crazy, because we don’t realize how lucky we are to have a man like Maninho Costa or ManinhoZ10 (pronounced mah-knee-n-yo-zé-des). He is a true link between our world and Brazil. A sambista through and through, he is the real deal  and his feel in the rhythm is unparalleled. Even in Brazil it would be rare to have the opportunity to study and learn from a man like Maninho.Maninho (a term of endearment meaning "little bro") started playing in the baterias of Rio de Janeiro in his early youth. His uncle, Mestre Odilon Costa, is one of the most recognized masters of the big Rio samba schools. Among 100 hand-picked musicians, Maninho was chosen to record the solo repinique parts on the Sergio Mendez record Brasileiro, for the song Fanfarra. He has played and is recognized in all the major samba school baterias. He ended up in Toronto in the early 2000s after being invited to play for the annual Brazilian Ball. And so it goes -- he has been here ever since, punctuated by the yearly trips to the homeland, Rio de Janeiro.A little preview of what will come when Maninho Costa and Batucada Carioca hit at Uma Nota: Here's ManinhoZ10 as a featured guest with Monobloco. Be prepared for a full-on show.While involved in a number of musical projects in Canada, including Tio Chorinho, Aline Morales, Jesse Cook and Sinal Aberto, Maninho's own samba project in Toronto is Batucada Carioca. What evolved from an informal jam group became the city's premiere Rio-style samba troupe. The foundation of Batucada Carioca's music is a heavy percussive swing, with the melodic accompaniment of cavaquinho, guitar,  and even trombone, as well as various singers singing enredos (traditional styled Carnaval samba anthems).Batucada first played at Uma Nota in 2009, one of the heaviest shows we ever put on at the Gladstone. We recently saw  Batucada play in Montreal to a pumped-up crowd at Parc Jean-Drapeau. A sneak peak of their rehearsal last week impressed the hell out of me. They are cooking up some new stuff and their energy at the moment is pretty hype. Batucada Carioca play the Uma Nota 5-year anniversary at the Great Hall Friday July 27. 

Carnaval 2012 is here, from Rio to Salvador to Toronto

The famous, wild and irresistible "clima do Carnaval" has already been heating up all over Brazil for weeks.  From Friday until this coming Ash Wednesday, all bets are off, pleasure and hedonism rule and the world's most famous giant party takes over.Rio de Janeiro bloco 2012 Me Beija Que Sou Cineasta Fotográfos FoliõesOne member of the Uma Nota community taking part in this year's festivities is Jon Medow, the musical director of  Toronto's Samba Elégua and a drummer in samba master Maninho Costa's Batucada Carioca. He's been in Rio since early February on his first trip to Brazil (following a trip to Argentina), and he's arrived tearing it up on the samba front at just the right time.  A talented drummer who plays several instruments from the escola de samba bateria tradition like a hard-hitting Carioca himself, Jon has managed to get right in there with some of the Rio street blocos and now, we can confirm, in the bateria of an escola de samba.Jon Medow G.R.E.S. Inocentes de Belford Roxo Rio Carnaval  Escola de Samba Carnaval Rio de Janeiro  Sambadrome Marquês de Sapucaí Sambódromo Batucada Carioca Samba Up there with Rio, another of the most popular Brazilian cities during Carnaval -- for sheer music and joy overload, not to mention the definition of "multidão" (huge, packed to the gills crowds) -- is of course Salvador da Bahia, the birthplace of the "trio elétrico" (among countless other Brazilian cultural manifestations, predominantly Afro-Brazilian ones!). This year, worldwide viewers and social media-happy Brazilians can watch live streaming video of the many shows around Salvador on a new YouTube channel created to showcase the festivities and allow people to interact online to comment on them. (More from the Google Blog here, hat tip to Electric Joshua.)   [tubepress video=nEVzpKFxodQ]   Meanwhile back in "terras frias," Toronto isn't missing its turn to party down. This year the annual Brazilian community's Carnaval bash, produced by the lovely and talented (and "Brasileirissima") Angela Mesquita, also puts Bahia in focus as the region of Brazil selected as the theme of this year's festa. Local stars Banda Bracatum rock their mix of samba-reggae, funk, horns and Afro-Brazilian tunes along with Bob Marley and Stevie Wonder adaptations, all led by Contra-Mestre Bola of Capoeira Camará and more in the action-packed band. Singer Cibelle Iglesias and Adrianna Yanuziello's dance troupe Dance Migration will also perform a special piece prepared for the Bahia-themed party. And Maninho Costa, freshly arrived from his hometown Rio (where he just finished a performance run of the show A Febre do Samba, on the history of the samba-enredo), will lead Batucada Carioca in a set of classic Carnaval anthems by the great escolas de samba including two giants, the heavily Afro-influenced Vila Isabel and the often-Bahia-themed Mangueira. Toronto-bound (revelers) can get their fix this Saturday night. Details here. Feliz Carnaval a todos! Happy Carnaval to all!